Friday, May 31, 2019

Theory of Sign Essay -- Communication, Signs

To understand how sign functions, semiosis, Morris proposes four elements Sign vehicle (S), Designatum (D), and Interpretant and interpreter (I). The mediators are sign vehicles the taking- broadsheet-of are interpretants the agents of the process are interpreters what is taken account of are designata (Morris, 19). Those elements of semiosis become the foundation of branches of linguistics and basic elements of language. The branches of linguistics are semantics is the study of sign in its coincidence to designatum, pragmatics the study of sign in relation to interpreter, and syntactics the study of sign in relation to other signs. Since language, according to Morris, is a system of interconnected signs, a language must consist of the four elements as he implies in his formula L= Lsyn + Lsem + Lp (see Morris, 25). However, we might observe that Morriss definition of language apparently falls into the category of syntactical element. Another protestation might be is that by extend ing the four semiosis elements into linguistics and language, Morriss definition of sign will be problematic since all objects that are symbolically and linguistically associated with other objects are defined as signs. Therefore one might observe the discrepancy of his definition of sign with examples that he proposes as Lesse demonstrates (see article). Since this paper is aimed at demonstrating my understanding on Morris theory of sign, I will describe the problematic aspects of Morriss arguments if they becomes obstacles for me understand his theory. Morris argues that the object of semiotic does not deal with particular object, notwithstanding association of four of them, therefore sign is characterized as S is a sign of D for I to the degree that I take... ...tures of particular objects that universal signs call to -- as a formalist-behaviorist, Morris is unconcerned with mental images since they do not emerge in the relational properties of sign. Describing signs function s in semantic context and universal sign in syntactical context. In contrast, indexical signs are located in syntax unless we understand that to be meaningful the act of directionality must contain an object, so they are in the realm of semantics. All syntactical relations of signs are subjected to rules. Morris proposes two rules formation and transformation. Formation rules govern formation of kernel sentences, and transformation rules derivative sentences (Morris, 29). Based on the syntactical rules, Morris suggests the object of syntax is syntactical relations between signs the relations determined by syntactical rules (Morris, 29).

Thursday, May 30, 2019

Analysis of Buried Child by Sam Shepard Essay -- Buried Child Sam Shep

Analysis of interred Child by Sam Shepard Sam Shepard has endlessly written plays that have numerous illusions to frustrate the reader. Shepard has excessively been known for several twists in his plays, and also makes the reader believe in something that is not real. Born in 1943, Shepard always enjoyed Theatre and Playwriting. Now, nearly 60 years of age, Shepard is one of the most famous playwrights in America. In Shepards Buried Child, there are many another(prenominal) twists and turns that have the reader wondering and wanting more. Buried Child can be similar to classic plays such as Oedipus Rex, where Shepard includes the theme of incest. He has also included many symbolic objects and Native American symbols of renewal with the large quantity of vegetables in the back meter of the familys house. There are seven main characters in this play, the majority belonging to one family. The first impression seems like the family in the play are a normal Middle Ameri can family. deflects one-track alcoholic mind, Halies irritating personality, and Tildens distant relationship with his father seems fairly typical of an elderly family however, this is far from the truth. The play begins with bilk, who is in his seventies, may not have overmuch longer to live. He has an unhealthy cough, which gives the thought that he is extremely ill. In the play, Shepard is pointing emerge that Dodge is not only sick physically, but also mentally. His criminal cough seems to show the progression of his illness throughout the play. The introduction of Tilden, Dodges son, is quite unusual he enters the house with an armful of corn and drops it in lie of his father. The significance of this action go out be noticed further into the play. When Tilden brings the corn in from the backyard, his father looks at him and tells him to give the corn back, thinking he has stolen it. Dodge snaps, I havent planted corn back there since 1935, so take that damn c orn back form where ever you got it. Yet, Tilden argues that the entire back yard is filled with tall stalks of corn, carrots and potatoes. Tilden is a young man living with his parents after getting in trouble in New Mexico. Halie, Tildens mother and Dodges wife, is abnormally protective of Tilden, which he is not allowed to do or say anything without the permission of Dodge or herself. Halie is constantly worrying about Ti... ...the family, and will hopefully lead them in a positive direction. The ending of this play comes to the conclusion that this family can never be a normal Middle American family. This family is at a loss, and will probably never see life the way that they have before. I believe the message Shepard is trying to reach out to the reader is that secrets and dishonesty can tear a family apart and make them go insane. Unfortunately for this play, the terrible secret was exposed too late.Shepard created an ending which the ball could appreciate its simplicit y yet complications. Buried Child explores the inner tensions of a rural existence, father-son relationships, and the place women hold in an ambiguous domestic atmosphere. Simply poetic, humorous, and mysterious, Buried Child is a vision of a troublesome family transformed into a symbol of Americas loss of innocence. This play made Shepard a Pulitzer Prize winner in 1979, and is very much earned.Bibliography Jacobus, Lee A. 1994. The Bedford Introduction to Drama--Third edition. Microphil Publications.American Repertory Theatre. Past Productions Buried Child. Dec. 96 http//www.amrep.org/past/buried/buried.html